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Typical artwork on releases (by Zeke Clough ) was also of an idiosyncratic nature, the pen-and-ink covers referencing egyptological symbols as well as displaying a decidedly metal influence. These elastic, pliable reformations of dubstep suggest that the genre has finally evolved beyond rigid formulas, reaching towards a new, organic maturity.
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With their DIY-style covers, punk rock track titles and free party ethos, Skull Disco approach dubstep from an oblique angle. Shackleton has returned the favour by remixing Minimoonstar from Villalobos' Vasco EP Part 1. Minimal techno producer Ricardo Villalobos is a fan he produced a nearly twenty-minute remix of Shackleton's Blood on my Hands after expressing an interest and being handed the core samples of the song at a DJ set. Some tracks (particularly later Shackleton releases) bear a resemblance to the music of Muslimgauze. Eschewing the familiar drum tropes of dubstep, tracks would be based on African percussion and samples of ethnic vocals, combined with massive, wobbling sub-bass, and sometimes elements of four to the floor, Basic Channel-style dub techno. Skull Disco releases often tended to use unusual sounds, atypical of the dubstep genre. Releases on the Skull Disco label were typically double A-sides, featuring a track apiece from Shackleton and Appleblim however two compilations ( Soundboy Punishments and Soundboy's Gravestone Gets Desecrated by Vandals) were also released. Later in 2008, Shackleton and Appleblim parted ways with the label Skull Disco to release a second CD compilation after ten releases with Skull Disco, a number which Appleblim said "felt right".
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In 2008, Appleblim was chosen to mix the sixth installment of the Dubstep Allstars series on Tempa, which was released on 3 June 2008. In November 2007, Appleblim established a sublabel, Applepips. Attendees at the first Skull Disco night included Coki and Mala of Digital Mystikz. Shortly after, Shackleton began the (now defunct) Skull Disco nights in London. Shackleton was impressed with a track, Mystikal Warrior, and it hence appeared on the first Skull Disco release a double A-side, with Shackleton's I Am Animal on the flipside. On a visit to a similarly-minded night in Bath, Shackleton encountered Laurie 'Appleblim' Osborne. He especially identified with the sound later associated with the DMZ nightclub, citing Loefah's Horror Show and Digital Mystikz Conference as key early influences, and started thinking about forming a label to release similar "interesting bass music" and "interesting percussive stuff". Around this time, Shackleton was becoming more familiar with the dubstep sound, through regular visits to the Forward> nights run by Ammunition Promotions. The track later appeared on Rough Trade Records Best of 2004 compilation. In 2004, prior to the founding of the label, Ian Hicks of Mordant Music liked and released an early Shackleton track entitled "Stalker".